So glad she made this video so glad it wasn’t me. Work meetings, hung out with new avatar friends and attended But what does thisįuture digital world look like? WSJ’s Joanna Stern checked intoĪ hotel and strapped on a VR headset for the day.
Joanna Stern Spends 24 Hours in Facebook’s Metaverse ★Įveryone is blabbing about the metaverse. Inspired the theme, how it’s changed, and why it almost neverĪbsolutely delightful podcast, and really astute commentary on how music helped tie together the entirety of Daniel Craig’s five-movie saga in the role. On this episode of Switched On Pop, we uncover what Variations on the original that reflect the character’s changes But every new Bond theme has also developed subtle No, has remained a constant across six decades of espionageĪnd one-liners. John Barry’s now-iconic “James Bond Theme,” written for 1962’sĭr. Of the great musical sagas in recent cinema. The film’s theme song, “No Time to Die,” by BillieĮilish, Finneas, and Hans Zimmer, also marks the conclusion of one The latest installment of the James Bond franchise, No Time Toĭie, closes the book on the Daniel Craig era of the international Switched on Pop: ‘James Bond’s Spycraft Sound’ ★ See Also: Kat Clay: “Why Skyfall Is a Masterclass in Cinematography”. (For an essay of this sort, with so many images that go along with a few sentences of prose at a time, a Twitter thread is an outstanding medium.) Scott graciously and politely makes the case that Skyfall is more interesting and fully-realized because each new location gets a color palette of its own, whereas the entirety of Spectre is in a consistent color space. Both of those films were directed by Sam Mendes, but they had different cinematographers - Roger Deakins for Skyfall, and Hoyte van Hoytema for Spectre. Speaking of Daniel Craig’s run as James Bond, Devan Scott put together a wonderful, richly illustrated thread on Twitter contrasting the use of color grading in Skyfall and Spectre. Devan Scott on the Use of Color in ‘Skyfall’ and ‘Spectre’ ★ Join thousands of teams that have stepped up their spreadsheet game with Rows. Turn them into interactive dashboards, reports, and forms with buttons, input fields, and checkboxes. They only see the data you want them to see, and can only edit cells you mark as editable. Users with live access can’t make changes like editors can. Rows offers Live Sharing - a revolutionary new feature for spreadsheets. And you can fetch public data from databases like Crunchbase, Hunter, and LinkedIn. Your spreadsheet can talk to Google Analytics, Twitter, Stripe, and Salesforce it can send emails and Slack alerts, and even connect to your custom APIs. On top of that, Rows added powerful integrations with business tools and public databases. It has row-and-column-based cells and all the functions you’re used to, like SUM, VLOOKUP, and INDEX. Rows uses the same logic as traditional spreadsheets like Google Sheets and Excel. Rows reinvented spreadsheets to let you build data-rich spreadsheets that look beautiful and modern. My thanks to Rows for sponsoring this week at DF (along with this week’s episode of The Talk Show).
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